Diary of a Bad Year: Mark and Steve

As the entire blogosphere knows, Steve Jobs died of complications from pancreatic cancer this past week. Although he lived for almost six years with a rare, “treatable” form of the cancer, it got him in the end. While the doc in the emergency room who treated Mark used Jobs as an example of everything that’s wrong with a medical system that provides every option for the rich and bankruptcy for the poor, not even a liver transplant and the best care money can buy could save him (see Diary of a Bad Year, February 13, 2011).

His death has elicited obituaries that run the gamut from the visionary genius “who knew what we wanted before we wanted it” to the capitalist exploiter who produced his slick products on the backs of foreign sweatshop workers. For me, however, his death elicited a resurgence of memories of Mark. It made me think about the disease itself and the differences in their treatment and their prognoses, but in a much more visceral way it made me remember Mark in his corporeality. Steve Jobs and Mark Schiller looked very much alike: tall, thin, close-cropped balding heads, graying beards, and dark brown eyes behind round wire rimmed glasses. When I saw pictures of Jobs in 2009, when the illness had made a thin man gaunt, I was seeing Mark.

I know nothing about the private Steve Jobs. He was seven years younger than Mark, but close enough in age to have experienced many of the same things. I don’t know if he loved Mavis Staples and Al Green, or Chet Baker and Thelonious Monk. I don’t know what his politics were: many capitalist entrepreneurs consider themselves liberals, especially those who came of age during the sixties and seventies. Mark’s politics guided his life from the time he helped organize his high school SDS chapter to his choice of where to live to co-founding La Jicarita News. To stir up the mix he’d declare he was the only Stalinist left standing, when in reality what we learned together about race, class, and absolutist positions in northern New Mexican made him a complex, thoughtful activist whose compañeros included loggers, Forest Service rangers, acequia mayordomos, and gasp, even a few environmentalists. His encyclopedic knowledge ranged through poetry, abstract expressionism, jazz, 19th century English literature, rock n’ roll (he always knew the names of the most obscure groups played on the oldies station, see Guilty Pleasures blog), the Energy Employees Occupational Illness Compensation Program Act, and Spanish and Mexican land grants. He wrote many, many articles about the history and politics of land grants for La Jicarita News, as well as scholarly papers for the New Mexico Historical Advisory Board and the Natural Resources Journal. He was working on a book about the tenure of New Mexico Surveyor General George W. Julian, who was responsible for the loss of millions of acres of land to their rightful owners, which he was unable to finish before he died. I’ve collected the chapters he completed as scholarly papers or articles, and with the help of University of New Mexico professor David Correia, plan to finish that book.

Steve Jobs legacy is unparalleled. I have two Mac laptops and an iPod. My kids have iPhones and iPads. I also have many questions about the value of all that technology and disgust, but not surprise, about its production (see the NYT article about Mike Daisey’s one man show “The Agony and the Ecstasy of Steve Jobs” in the Sunday, October 2 issue), but that’s not what this blog is about. The Steve Jobs and Mark Schillers of the world who lived creative and intense lives and died before their time is sad, but what they did is what we have, tangibly and in our memories.

My son Jakob called to tell me that he’s planning on publishing a photo story about Mark, also triggered by Jobs’ death. He took many pictures of his dad over the years, and with Mark’s permission, some while he was sick. I started this blog the day before he called. Steve Jobs’ death, within a year of Mark’s and of the same disease, reminds us of our loss, and being the writers and photographer that we are, the need to express it.